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Sounding Board
  • Where food, music and memory meet RASOI explores how the rich food heritage of South Asian communities is deeply intertwined with music Supriya Nagarajan
  • A fun fiddle story Grassroots community music-making at the heart of a resilient community fiddle project Gica Loening
  • Striking a balance Listen to the vibrant spectrum of community gamelan practice in the UK today Emily Crossland
  • What Can We Do Here? Why where music is located may matter more than ever Duncan Chapman
  • Drum Runners call An invitation for musicians and other creatives to join the Drum Runners teamPaul Midgley
Sounding Board
  • Behind the scenes of 'Creative Music Nurture Groups' Music-making as intervention with Creative Music Nurture Groups in Sunderland primary schools Carol Bowden
  • Sounds, stories and senses Folk music and dance in inclusive settings with the EFDSS Emmie Ward and Lucy Stiles
  • Creating nurturing musical spaces in education Xenia Horne offers reflections from thirty years of community practice Xenia Horne
  • New ways of working Lifesize detail their work in SEN primary schools in East Sussex Sam Dook and Angela Wym
  • A report on Inclusive Practice in Action 2026 Key learnings from the event hosted by Sound Connections in partnership with Drake MusicEllie Knott
Sounding Board
  • A prefigurative perspective / Community music in Edinburgh College Thoughts and experiences from our guest curators Rory Wells & Jess Abrams
  • Community music as artistic practice Recovering our radicalism Dave Camlin
  • Creating regenerative culture A conversation on equity, justice and representation in community music Alex Etchart & Jess Abrams
  • Oi Musica and Brass Blast What can instrumental teaching practice learn from community music? Oli Furness
  • Confidence and connection Q&A with Jed Milroy of Tinderbox Collective Jed Milroy
  • Which side are you on? Reflections on decades of community music and activism Pete Moser
  • Who is missing out? Making a difference working one-to-one in residential care Thea Jacob
  • A unique partnership approach Saffron Centre for Young Musicians and a sense of community with purpose Kate Llewellyn
  • Radical acts of community music: a few thoughts How do we define and perceive radical acts in our practice? Hugh Nankivell
  • Informal work in formal settings Community music in the gaps Erika Severyns
  • Behind the brand with Musical Moments A journey of regrowth following the pandemic for a community music business and franchise Maggie Baker
  • Musical Anarchism Phil Mullen on the ideology that guided his work together with the late Graham Dowdall Phil Mullen
Sounding Board
  • Who cares? Working towards a culture of care for community musicians Annette Burghes
  • When is a violinist not a violinist? Intergenerational music making - an emerging practice Hugh Nankivell
  • Inclusive voice work: a duty of care Exploring the ethical implications of inclusive practice, particularly within voice work Abigail Mann-Daraz
  • Navigating care setting contracts and duty of care How to prepare a contract document for community musicians Thea Jacob
  • Mental Health First Aid The importance of emotional safety for community musicians Hannah Dunster & Rachael Perrin
  • Counteracting the narrative Yorkshire Youth & Music is interpreting duty of care towards young people as counterbalancing divisive rhetoric Gail Dudson
  • An introduction to clinical supervision in creative practice Read Blue Cabin's blog resources on clinical supervision Jenny Young
  • We Make Music Scotland's National Music Education Conference 2025 A report from day one of the event Jess Abrams

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